ABOUT/THE DESIGNER
Art First. Fashion Second. Always.
Lisa A. Bleviss grew up surrounded by artists. She designed for Takashimaya. She stepped away from fashion when it stopped meaning something. She came back, when she found her reason: to dress women who have been underserved by an industry that wasn't thinking about them.
That's not a pivot. That's a purpose.
That's not a pivot. That's a purpose.
Why LISA AVIVA Exists
In 2015, after half a decade away from the industry, Lisa returned with a question at the centre of everything: what does it mean to create responsibly?
LISA AVIVA launched as the answer — a collection grounded in slow fashion principles, natural fibers, and the conviction that women sizes 10+ deserve the same access to luxury that smaller sizes have always had. Not a version of luxury. Luxury.
From the beginning, every piece has been designed in North America, produced in partnership with small studios, and offered in limited quantities — because the alternative is waste, and waste is not part of this story.
LISA AVIVA launched as the answer — a collection grounded in slow fashion principles, natural fibers, and the conviction that women sizes 10+ deserve the same access to luxury that smaller sizes have always had. Not a version of luxury. Luxury.
From the beginning, every piece has been designed in North America, produced in partnership with small studios, and offered in limited quantities — because the alternative is waste, and waste is not part of this story.
The Woman Is the Work of Art. The Garment Is Her Canvas.
Every LISA AVIVA piece is designed as a tabula rasa — a neutral ground for the woman wearing it to become the artist. Clean lines, considered silhouettes, and the kind of quality that invites embellishment without demanding it.
Our collections draw from fine art: the Canadian wilderness of Lawren Harris, the female perspective of Suzanne Valadon, the liquid colour of Monet's Water Lilies. Fashion and art are not separate disciplines here. They are the same conversation.
Our collections draw from fine art: the Canadian wilderness of Lawren Harris, the female perspective of Suzanne Valadon, the liquid colour of Monet's Water Lilies. Fashion and art are not separate disciplines here. They are the same conversation.
Conscious by Design, Not by Marketing.
LISA AVIVA operates within the framework established by the Boston Consulting Group and Global Fashion Agenda's Regulatory Guide to Action — not because it's required, but because it's right.
What that looks like in practice:
We produce in small quantities to minimize waste from the first pattern cut. We partner exclusively with small North American studios and businesses who share our values. We source Oeko-Tex certified hardware for all outerwear. We use deadstock and specialty notions wherever possible. We have eliminated all synthetic fiber blends from our collections. We use recycled materials for every piece of print material, packaging, and shipping. We are transparent about what we're still working on — because sustainability is a practice, not a destination.
We don't claim to be perfect. We claim to keep trying.
What that looks like in practice:
We produce in small quantities to minimize waste from the first pattern cut. We partner exclusively with small North American studios and businesses who share our values. We source Oeko-Tex certified hardware for all outerwear. We use deadstock and specialty notions wherever possible. We have eliminated all synthetic fiber blends from our collections. We use recycled materials for every piece of print material, packaging, and shipping. We are transparent about what we're still working on — because sustainability is a practice, not a destination.
We don't claim to be perfect. We claim to keep trying.
Every Relationship Is Reciprocal.
From the artists whose work inspires our photography to the studios that cut and sew each piece, LISA AVIVA is built on collaboration. We believe that working with small businesses — rather than extracting from them — makes better clothes and a better industry.
Our artisans are not vendors. They are partners. Their knowledge shapes our work. Their craft is in every seam.
Our artisans are not vendors. They are partners. Their knowledge shapes our work. Their craft is in every seam.
On Size, Luxury, and the Gap Between Them.
The fashion industry has a long history of treating sizes 10+ as an afterthought — offering limited styles, lower-quality fabrics, and the implicit message that luxury belongs to a smaller body.
LISA AVIVA was built in direct response to that gap. Not to fill it with compromise, but to refuse the premise entirely. The fabrics here are the same. The silhouettes are considered, not adapted. The construction meets the same standard.
Because a woman who earns her living, builds her career, and moves through the world in a size 14 or 18 or 22 deserves clothes made for her body — not clothes made for a different body and expanded.
That's not a niche. That's the majority. And it's been underserved for far too long.
LISA AVIVA was built in direct response to that gap. Not to fill it with compromise, but to refuse the premise entirely. The fabrics here are the same. The silhouettes are considered, not adapted. The construction meets the same standard.
Because a woman who earns her living, builds her career, and moves through the world in a size 14 or 18 or 22 deserves clothes made for her body — not clothes made for a different body and expanded.
That's not a niche. That's the majority. And it's been underserved for far too long.
As Seen In
Trend Privé Magazine · 33 Magazine · Kreep Magazine · VFiles · Apparel Magazine · InStyle Magazine ·Vancouver Fashion Week ·Paris Fashion Week
This Is Your Invitation.
LISA AVIVA is for the woman who has stopped waiting for fashion to catch up with her. She knows what she wants. She knows what she's worth. She's ready to wear it.